One of my favorite parts about my four years with Emilia Ceramics has been developing a rapport with ceramic artists all around the world. In this series of posts, I’ll give some insights into what happens behind the scenes to make these beautiful handpainted ceramics come to life.
Unlike the traditional French ceramic atelier in Vallauris where Richard Esteban apprenticed at the age of 16, he now has no need for a cane when inspecting his employees work. The two old women owners at Foucard-Jourdan used their canes to crush ceramic pieces on the potters’ wheel that showed any sign of imperfection. Perhaps that’s where Richard learned his attention to detail and developed his appreciation for the slightly imperfect. I love the friendliness of his Aigues-Vives studio, with a tight team consisting of his two employees Arnaud and Katia, his wife Sylvie, and himself. The Esteban family also has three young children with whom I’ve shared several meals over the years, communicating in a mix of broken French and English.
I last visited Richard in September 2011 with my friend Jess acting as a translator. As has become a tradition, we didn’t just get to pick out beautiful French ceramics, but also enjoyed Richard’s incredible hospitality, staying in his guesthouse for the night. When we arrived, Arnaud (pictured above working at his wheel) asked us with a smile, “Vous voulez du cafe?” (Do you want some coffee?)
“Oui, merci, si ce n’est pas un problem” (Yes, please, if it’s not a problem.)
“Vous avez traverser la monde pour nous voire, je peux faire du cafe.” (You traversed the world to see us, we can at least make you coffee.)
This is definitely a place where humor is appreciated (and the coffee delicious, though we had it in espresso cups instead of the fun polka dot mugs they make).
Not only is Richard a wonderful artist, he’s also a great cook, and our evening spent in the backyard with all the Estebans and Katia was a relaxing and thoroughly enjoyable experience. Friendly and playful qualities surround Richard, invoked by himself, his employees, and expressed through his work. His stunning ceramic serving platters, lively polka dot mugs and bowls, and unique vases are just a few examples of his creative take on the French ceramic tradition.
Richard’s methods stay true to the old ways of Provencial pottery. He uses the rich red local clay, every piece is hand-thrown, and he even uses an antique kiln for firing. His love of tradition can also be seen in the museum he opened in 2000 to display his massive collection of glazed French pottery from the Middle Ages to the 20th century. This is definitely an artist devoted to his craft.
Whether it’s a large ceramic serving platter or one of a kind pitcher, Richard’s pieces are an ideal example of French ceramics with timeless appeal. I can’t wait to see what amazing examples of French ceramics he’s created the next time I visit — and then get to share them all with you.