Posted on

Your Favorite Ginger Jars From Around the World

ginger jars

Ginger jars are a global favorite. Stylish and stunning, they remain a perpetual favorite with Emilia Ceramics customers around the world. Here are some of your (and our!) favorite ginger jars.

ginger jars

Mexican Ginger Jars

black and white ginger jar - extra large

These tibores combine classic Mexican style with a contemporary twist. People love black and white ginger jars from Talavera Vazquez, whether they feature chevron designs, stripes, or the intricate floral pattern of the Hidalgo tibor. Blue and white ginger jars are another popular category; I particularly love the small chevron tibor from this part of the collection.

blue_white_chevron_zigzag_urn_ginger_jar_tibor

Gorky Gonzalez ginger jars have a different vibe, with a rounder shape and delicate handle detailing. The layered motif of this ginger jar has a distinctly tropical feel, perfect for casual decor.

Italian Ginger Jars

What is the line between canister and ginger jar? I think it has to do with the curve of the vessel’s sides; a canister tends to be straight on the sides, a ginger jar curved. But there are always exceptions to prove the rule. Take this gorgeous vasetto di zenzero from Ceramiche Bartoloni. Used as a vase, shelf decoration, or to hold your stash of ginger, it’s a stunning example of ceramic fusion gone right.

canister_ginger_jar_italian_ceramics_bartoloni

Spanish Ginger Jars

A recent addition to the collection, this búcaro by Ceramica Valenciana is deceptively simple. People can’t seem get enough of its pure white glaze or graceful lines, let alone its three curving handles. It’s one of my new personal favorites too.

blue_white_stripe_urn_ginger_jar_talavera

Where do your favorite ginger jars come from?

Posted on

For the Love of Rooster Pitchers…

With the new Emilia Ceramics Showroom up and running, I’ve been able to see our collection in a whole new way. One thing that really stands out is just how many rooster ceramics we have in the collection. Right now it’s mostly Mexican and Italian rooster ceramic, though I’m sure to have French roosters and other new additions in the coming months.rooster ceramicRight now, though, I can’t get enough of the rooster creamers and rooster pitchers from Gorky Gonzalez. These ceramics are unique in how they are actually shaped like roosters, full of personality from the colorful feathers to the beak that doubles as a spout. Both rooster creamer and rooster pitcher are fun enough to be a permanent addition to your counter or table. I think they look great filled with a small bouquet of wildflowers or just on their own.

rooster creamerowl pitcherThe new owl creamer is another feathered friend that’s proven popular in just the few short months I’ve had it in stock. Like Gorky’s salt and pepper shakers, these creamers are a great gift for anyone who likes a little whimsy. And for those more traditional rooster fans, there are always the Italian rooster pitchers and creamers by the Bartoloni brothers. The smooth lines and detailed, colorful crowing rooster embody the vibrancy of Italy (and they make waking up just a little easier). Rooster pitchers are a traditional good luck gift, ideal for housewarmings and weddings. I’m not sure if they really do protect the home against danger, but they certainly look regardless!

owl creamerrooster pitcherHave you given a rooster pitcher as a gift? Are you a fan or collector of rooster ceramic? Leave a comment and let us know about your favorites.

Posted on

La Dolce Vita

florence1After a long day of train rides, I made it from Nice (where I dropped off my rental car) to Florence. It was actually a longer journey than I had envisioned (in the past, I’ve always stopped along the way) and I arrived starving. About halfway to Florence, I had decided I was going to wait to eat until I could eat real Italian food… so I checked into my hotel, splashed some water on my face, and headed to the nearest trattoria. It was worth it! The fresh tagliatelle al funghi was delicious and the “house red” tasted as good as any wine I’ve had in a long time.

The next day I woke up early and headed back to the train station for the 20 minute ride to Montelupo Fiorentino. Montelupo is famous for its majolica because of the town’s location on the old Roman road that brought Moorish traders (and their ceramic wares) from Spain to Florence. During the Renaissance, artisans in Montelupo began elaborating on the ceramic designs, adding realistic imagery and brighter colors, transforming them into the high art form we know today.

me

painting

While there are many ceramic artists in Montelupo, I am pretty confident Emilia Ceramics buys from the two best! My first visit was to Ceramiche d’Arte Tuscia. Co-owner (and grandson of Tuscia’s founder) David met me at the small train station and we drove to Tuscia. new_piecesWe found Gabriele (the head-painter and other co-owner) working and telling jokes to three other painters. They greeted me — most remembering my first visit 5 years ago — and were very nice when I wanted to take lots of photos while they worked.

As I’ve described before, Tuscia is located in a 2 story brick building, filled with ceramic artwork. Each shelf in each room is stacked with plates, bowls, canisters, and pitchers that look like they belong in a museum.

I selected a number of new pieces to add to the order I had already placed with Tuscia and had an espresso with David — who was expecting a new baby girl at any moment! Then David drove me to Ceramiche Bartoloni, which is in a more industrial part of town. We were greeted by Patrizio and Lucia Bartoloni. Lucia is Patrizio’s wife and helps run the business along with Patrizio’s brother Stefano and his wife. The four of them do almost everything themselves, only hiring extra painters when needed. Lucia speaks some English, so she talked with me about the recent order I had placed and showed me all the new designs and patterns.

tile

blogOf course, the limoni and rooster patterns are my Bartoloni faves… but there were a few new patterns that jumped out at me. So I added some new styles as well as some more sizes of bowls to my order (expect some great new salad and pasta bowls from Ceramiche Bartoloni). Patrizio was very busy and had to leave soon to pick his son up at school, but he gave me a double-cheek kiss and posed for a picture before he ran out the door. Then Lucia drove me back to the train station and I spent the 20 minute ride back to Florence trying to digest all the beautiful artwork I had just seen.

The next day, after another awesome pasta dinner and a few gelatos, I went to visit Daniela’s ceramic shop in downtown Florence: La Botteghina del Ceramista. Daniella is a good friend of my uncle Gifford (who is also responsible for introducing me to the ceramics from Tuscia and Bartoloni). I visited Daniella’s shop on my first trip to Florence, before I even knew I was going to start a ceramics-importing business. I fell in love with her collection though, which includes ceramics from the Bartoloni brothers, among other great Italian artists. On my first visit I bought the Square Blu Limoni Platter from Daniella and gave it to my brother as a wedding gift.

I’ve been back a few times since and been able to share with Daniella the progress of my growing business. As always, she was very helpful in pointing out new pieces and best sellers, telling me where they were from, and giving me contact names and numbers. It was great to visit with Daniella and watch her in her element, surrounded by the beautiful Italian majolica, sharing it with tourists and local Italians alike. It reminded me what a great job I have!

daniella

Posted on

Mexican and Italian Roosters: Different Takes on an Old Tradition

For most of us, roosters conjure up ideas of an idyllic American farm in the country, with a red barn and welcoming atmosphere. But these proud birds carry a rich significance around the world, and one that goes beyond their status as an international alarm clock. Roosters are popular in legends, often symbolizing heroism and courage (such as the French coq gaulois, a symbol of France since Roman times). Unsurprisingly, then, roosters have made their way onto objects ranging from flags to plates to wine bottles, though what they stand for changes vastly with geography.rooster dip bowl

Take Gorky Gonzalez pottery, for example. This Mexican artist has almost single-handedly revitalized Mexico’s majolica tradition rooster platterincorporating Japanese, Spanish, Italian, and Indigenous-Mexican techniques with his studies of traditional Mexican pottery. The rooster, in many ways, reflects Gorky’s pride in his country and his craft. For example, strutting roosters often are featured on the silvered or golden botonadura (the buttons and chains that decorate a dress suit) worn by Mexican charros (horsemen) and mariachis, most likely invoking the tradition that roosters bring good luck. In fact, one of the traditions about white roosters in Mexico is that they bring good luck, so you should never kill them, though a rooster crowing at night is a sign of bad luck coming.

The roosters on Gorky Gonzalez pottery may be silent, but they still make an impact. His rooster plates feature proud birds, whether brilliantly multicolored or monochromatic, caught mid-strut or proudly crowing. On my last visit to Gorky’s workshop, I noticed a proliferation of these birds and was happy to add many of his one of a kind plates, bowls, and even ornaments to the Emilia Ceramics collection.

blue and white rooster tray

Roosters also bring good luck in Italy. A common manifestation of this Italian tradition is a rooster pitcher, often given as a housewarming present to protect against trespassers and danger. The legend goes that an assassination attempt on Guiliano Medici in the 15th rooster salad bowlcentury was foiled when roosters announced the attack. Medici had hundreds of rooster pitchers created by local potters to celebrate. Though the rooster is often found on pitchers, other Italian ceramics such as serving platters, bowls, plates, and mugs are also popular. Bartoloni’s roosters are vivid and lifelike, with rainbow colored tail feathers, and are always painted mid-crow. As I prepare to visit these Italian artists later this month, I will be on the lookout for more of their black rooster plates, another Chianti legend and symbol of the region.

From rooster plates to pitchers, mugs to bowls, these birds are certainly a great addition to traditional ceramics the world over. Do you know of any other traditions associated with roosters from around the world?

italian rooster pitcher

Posted on

Set a Rustic Tuscan Table with Ceramic Pitchers and Other Essentials

The charm of a rustic Italian table is unparalleled. Pitchers filled with wines and water are scattered to ensure everyone has plenty to drink. Platters piled with homemade delicacies are passed, then passed again. Exposed wood, ironwork, and handmade Italian ceramics all work together to enhance the flavors and experience.

Want to translate the homey, inviting feel of a Tuscan table to your home? Italian country décor invokes the same materials as Tuscany: large hand painted plates, ceramic salad bowls, Tuscan vases, wrought iron, glass bottles, and natural colors. Now you’re ready to invite over friends and family to feast the night away.

One of the easiest ways to get a Tuscan feel to your table is using ceramic pitchers. The thick clay keeps drinks cool in the summer and makes it easy to pour just one more glass of wine. Detailed patterns also make it easy to distinguish white wine from red wine, or adult beverages from those that are kid-friendly. A ceramic pitcher filled with wildflowers also makes for a great centerpiece, lending casual elegance to your table.

Sturdy serving pieces are also an essential for Italian country dining. A ceramic salad bowl large enough to toss greens for your entire group could also be used for a fragrant pasta dish. Platters stacked with cuts of meat or appetizing vegetables beg to be passed until diners can eat no more. Little bowls filled with sauces compliment everyone’s hand painted plates, large enough to comfortably fit a little bit of everything while adding a festive note to the table.

To feel truly like you’re in Tuscany, look for a wide-planked wooden table built to withstand the feasting of generations. If you’re satisfied with your current eating surface, a handmade tablecloth will transform it for your Italian feast; look for shades of orange and gold to compliment darker dishware. Add a Tuscan vase on the sideboard, some candles in rustic holders, and you’ll have the feel of Italy without getting on a plane. Buon appetito!

Posted on

The Staying Power of Fine Italian Ceramics, Past and Present

Fine Italian ceramics are nothing new. Dating back to the Middle Ages and beginning to flourish in the 1400s, the ceramic centers of Italy have been producing incredibly detailed ceramics for literally hundreds of years. I recently came across a little book discussing Italian and other European ceramics throughout history – Maiolica, Delft and Faïence by Giuseppe Scavizzi – and wanted to share some of its beautiful images with you. Just look at the inside of this “loving cup” from circa 1500 Faenza, used to celebrate engagements or as a gift for a beloved:

fine Italian ceramic loving cup

The detailed likeness is strikingly similar to work by Tuscia d’Arte, such as this Italian canister.

Italian canister

Another timeless piece is this plate of a solider from circa 1630:

Italian soldier plate

He looks so jaunty, reminding me of this contemporary Italian ceramic plate with a drummer at its center.

Italian ceramic plate

Italian ceramicsOne of the amazing things about hand painted Italian pottery is that patterns and techniques have been passed down through generations. Artists today hand paint using the same process as those centuries ago, following traditional patterns as well as adding some contemporary touches. Historically important areas for Italian ceramics have stayed pretty constant throughout the years, many of them in the center of Italy. One is Montelupo Fiorentino, outside of Florence in Tuscany. It’s where I get the fine Italian ceramics for the Emilia Ceramics collection. In a few months I plan to travel to Italy to visit both Tuscia d’Arte and Ceramiche Bartoloni as well as some potential new artists; I can’t wait!

Other famous centers are Deruta, Siena, and Vietri, examples of which are easy to find at Biordi Art Imports, also here in San Francisco. Biordi has a huge selection of typical Italian patterns that go back to the Renaissance; their walls are stuffed with dinnerware, decorative pieces, and exquisite tiles. If you find yourself in North Beach and want to see some Italian ceramics in San Francisco, check Biordi out.

No matter where hand painted Italian pottery comes from, I love how it connects to the artists that create it. Fine Italian ceramics are usually hand signed, a fitting recognition of all the time it takes to paint as well as form these pieces of art. Italian canisters, Italian utensil holders, or dinnerware pieces, these are all ceramics rich in history and tradition that make it easy to bring Italy to your home.Italian hand paintingWhat are your favorite fine Italian ceramics? Any recommendations for places in Italy I should visit this coming summer? Leave a comment and let me know.

Posted on

Bartoloni’s Lemons: More than Simply Decorative Plates

Looking for a decorative dinner plate that will bring cheer to your table? With Italian hand painted plates, your search is over. From square limoni plates to large serving platters, the lemon motifs by the Bartoloni brothers are a sure winner for kitchens and dining rooms alike.

lemon decorative plate

There are many factors that make these decorative plates so appealing. The rich colors are one; for example, the cobalt blue background contrasts pleasingly with bright yellows and greens on the blu limoni plates. The bright white of the limoni due square plate is more subtle, but just as vibrant with its two lemons (or limoni due) in the center and aquamarine border along the plate’s edge.

white lemon square plate

The unique rounded square shape also adds character to these Italian hand painted plates. They work well for serving appetizers, desserts, or side dishes with causal elegance. I’ve used them for artisanal meats and cheeses at dinner parties as well as delicate French macarons. No matter what they serve, these plates empty quickly – I think it’s because they make food look so delicious!Italian hand painted plates

Of course, hand painted dinner plates also appeal because of the human touch in their creation. Hand painting means that no two plates are exactly alike. The individual brush strokes, incredible detailing, and overall liveliness make for useful and usable works of art. For this reason lots of people like to hang the blu limoni plate as a wall decoration when not using it to serve. It’s just too vibrant to hide away in a cabinet.

Ceramiche Bartoloni’s lemons grace more than just plates, with mugs, pitchers, soap dishes, and spoon rests that continue the theme. Whether used as an accent or a central motif, these lemon plates are the perfect way to brighten a room with a touch of Tuscan charm.

lemon muglemon pitcher

Posted on

Rooster Ceramics from Around the World

What’s a motif you’ll find on ceramics almost anywhere in the world? Flowers are a good guess, as are geometric and abstract designs. But there’s another favorite design that might surprise you: rooster ceramics. From Mexico to France and Italy, proud roosters and sometimes chickens grace a variety of ceramics, both decorative and functional.

Italian roosters are probably the most refined of the bunch. Painstakingly detailed with realistic coloring, the Italian rooster pitcher by Ceramiche Bartoloni is a typical example of this rooster type.

Italian rooster pitcher

Even though this rooster looks almost the same on their rooster serving dishes and platter, the hand painting gives each piece a unique attitude with variations in the comb and waddle.rooster bowl

Mexican roosters, in contrast, are more fanciful than their Italian ceramic counterparts. Gorky Gonzalez’s colorful rooster plate is similar to the Italian rooster in details, but feels more like a watercolor sketch, with looser lines (though still definitely proud and tall!).

rooster plate

Then there are blue and white rooster plates, like this octagonal serving dish, which showcase a monochromatic bird on the strut.

blue and white rooster ceramic

Gorky’s three-dimensional rooster ceramics are definitely an excellent mix of fun and realism. The large blue and white rooster sits proudly on a shelf or countertop, and the rooster pitchers and creamers add whimsy and color to the table. Unlike the standard color palette of Italian roosters, these Mexican pieces often have a completely different color combination, making each rooster ceramic totally unique.

Rooster Creamers at Emilia Ceramics

In France, roosters are a mix of refined detail and playful whimsy. Quimper ceramics offer excellent examples of roosters, often in blue. “Le coq gaulois” is an important French symbol that dates back to Roman times and is used today as a sport mascot for French soccer and rugby teams. Some good examples of Quimper rooster plates can be found here and sculptural pieces here. French roosters are fighters and it shows, like in the proud rooster strutting below.

Choisy rooster

What are your favorite rooster ceramics? Are you a fan of chicken décor in general? Leave a comment below and let us know.

Crowing rooster image courtesy of hans s.

French rooster plate image courtesy of Patrick.charpiat.

Posted on

Our Favorite Italian Ceramics, Patterns, and Pieces

Italian ceramics
I’m planning to go to Italy in the spring to look for new artists to add to the Emilia Ceramics collection. There are so many traditional patterns used to decorate Italian ceramics, from intricate Deruta patterns to the whimsical animals of Vietri dinnerware. Many of these motifs are nature-inspired, with fruits, flowers, and animals common for Italian majolica pottery.

Italian platters

Lemons, for example, are a widely used pattern. The bright yellow can be paired with deep cobalt blue backgrounds or creamy white, giving a very different look to the piece. Cheerful serving pieces are typical, like the blu limoni serving tray by the brothers at Ceramiche Bartoloni.

A totally different look, this oval serving platter is subtle, refined, and has a refreshing color pallet.

oval_due_limoni

Cherries are another of my favorite fruit motifs. Mixed with greenery, they enliven plates, mugs, and pitchers of various sizes. The deep red of the glaze is quite striking and gives an almost modern sensibility to this unusual pattern.

Of course, there’s no reason to stop at just one fruit. Mixed fruit patterns are another of my favorites for Italian ceramics. They add elegance to planters and platters alike with colorful peaches, pears, apples, quince, and grapes. I love using this mixed fruit platter as a centerpiece on a long table – it looks fabulous full of food or empty.

Tuscan Fruit Long Platter

new_rooster_bowl_2Roosters are another common motif I’m sure to find on my Italian travels. Invoking the countryside, Italian ceramic artists can’t seem to get enough of these feathered friends. Tuscia d’Arte’s playful blue rooster is almost comical, while Ceramiche Bartoloni’s roosters are more intricate and lifelike. The beautifully painted rooster salad bowl and rooster pitcher will add color and possibly some good luck to your kitchen.

There’s also istoriato ware, a style of Italian majolica that tells a story. Historically these were hand painted dinner plates that featured intricate central imagery of people (though not always) surrounded by a rich border. The style is still popular today, often for wall plates. Tuscia d’Arte’s harlequin plates are a variation on this tradition, as are the figures on Bartoloni’s ceramic canisters and jars.

What are your favorite Italian ceramics and Italian patterns? Have any suggestions for where I should visit when I’m in Italy looking for new ceramic artists? Love Deruta patterns or another Tuscan style dinnerware? Leave a comment and let us know!

Posted on

Ceramics Expert to Speak at The Shop!

IMG_1266

I started taking ceramics classes when I was in 3rd grade… learning to stack coils of clay together and then smooth the surface to build a vase. Soon after I was taught how to use a wheel and slowly form (usually lopsided) bowls. On my first solo trip to visit my uncle in Los Angeles (who is an artist and art professor at UC Irvine) I sculpted a miniature dog… I was pretty proud of myself! IMG_1238My mom, who’s now a fantastic oil painter (I sell her beautiful landscape oils in the Palo Alto Shop), always loved ceramics — she threw a clay tea set for my dolls when I turned 10. Later, I took ceramics in college, as a mental release from the reading and writing that often overwhelmed me. And when I moved to Spain after college, I took ceramics to make friends. I loved throwing bowls, plates, and cups as I listened to Spanish housewives gossip, gripe about their husbands, and worry about their children. Point is, long before I began importing ceramics, I loved creating it myself.

That, however, in no way means that I am an expert. When people ask me about firing temperatures, specifics on the clay composites, or why the glaze used by Gorky Gonzalez comes out looking different from that used by Richard Esteban, I really don’t know the answer. But, lucky for me, my uncle Gifford does! And this Saturday (as in TOMORROW), Gifford is going to be at the shop in Palo Alto to talk about the complex process of crafting and painting ceramics. He’s also going to talk about his experiences working with artists in Italy. Gifford introduced me to Ceramiche Bartoloni and Ceramiche d’Arte Tuscia. He’s worked with both for the last 20 years. He’s especially close to the Bartoloni brothers (who he nicknamed the Blues Brothers).Screen Shot 2012-12-11 at 6.12.24 PM

Since starting Emilia Ceramics, it’s been really fun for Gifford and I to share our similar experiences meeting, befriending and working with such fun, creative artists around the world. And I am so grateful to have Gifford as a resource to go to with my nitty-gritty ceramics questions. I really look forward to him seeing this year’s pop-up shop — which I think is our best yet — and getting to share his comedic stories and knowledge with my customers.

Hope you can make it!

11:30 Saturday, December 15th
At Emilia Ceramics — Town & Country Village, Suite 10. For more information, visit us online or call us at 650-257-0292.

Here’s a little more about my uncle:

Gifford Myers is an artist who works with ceramic as well as many different materials and techniques; fiberglass, aluminum, bronze, steel, wood and found objects. The research of Gifford Myers is a continuous development of ideas and new experiences, without convention, utilizing wide vision that goes beyond the rigidity of conventional rules and restrictions.

Myers transforms the reality that surrounds him through wit, a free spirit and a strong capacity for observation. He is continuing his research, a synthesis of new dimensions that express results that are never the same, never repetitive. His work is always something new, something explorative, surprising for its variety, freedom and imagination; from large works to small objects, a form of self-portrait from the imagination of a unique artist that both surprises and draws the viewer in through the strength of expressive ideas.

http://giffordmyers-artist.com/index2.htm

Posted on

Behind the Scenes: Tuscan Pottery at Its Best

One of my favorite parts about my four years with Emilia Ceramics has been developing a rapport with ceramic artists all around the world. In this series of posts, I’ll give some insights into what happens behind the scenes to make these beautiful hand-painted ceramics come to life.

It has been way too long since I last visited Italy! I LOVE Italy… the food (every pasta dish is cooked perfectly), the wine (even the house bottle is always delicious), the cappuccinos (consistently 10 times better than anything Starbucks can do), the people (so friendly, so open, so Italian), and of course the ceramics. It’s no surprise that some of the most beautiful, colorful, and high quality ceramics come from Italy… it was 13th century Italian artists, after all, that transformed the tradition of Majolica into the high art form we know today. From relaxed fruit and floral motifs to precise depictions of renaissance characters, fine Italian ceramics continue to set the standard for the craft the world over.

Five years ago when I went on my first buying trip to Italy, I had the good fortune of visiting two of the best workshops in Tuscany: Ceramiche d’Arte Tuscia and Ceramiche Bartoloni, both of which are located in Montelupo Fiorentino, a small town right outside Florence that is famous for Majolica. I learned of both artists from my uncle, Gifford Myers, who’s a ceramicist in Los Angeles and has collaborated with many Italian artists over the years. Gifford insisted that Tuscia and Bartoloni were the best in Tuscany and would be friendly, fun partners for me to work with. He was so right!

On my first visit, I took the train from Florence to Montelupo and was met by David, who runs Tuscia. David brought me to the warehouse where 3 of 5 local artists were painting that day. 

Gabriel (seen painting above) started working with ceramics when he was 15 years old and is now the principal artist at Tuscia. He is responsible for designing and executing the most intricate designs, such as my favorite, the Square Plate with Oranges.

David gave me the grand tour of the workshop, which was packed with beautifully crafted and painted platters, pitchers, lamps, and planters. It was like a museum, showcasing all the styles, sizes, and designs they’ve created over the years. I took a ton of photos, which I still reference when I’m placing a new order.

Founded in 1982, the Ceramiche d’Arte Tuscia building has an old, slightly warn-down charm — it is so picturesque set amidst the rolling Tuscan hills. Patrizio Bartoloni (on the left below) met me at Tuscia and drove me to the Ceramiche Bartoloni workshop, where he and his brother Stefano run their business. While slightly smaller in scale than Tuscia, Ceramiche Bartoloni is larger than life when it comes to the vibrancy of their glazes, the delicacy in their designs, and the pure personality they put into each ceramic piece. Their sophisticated Italian style is clearly evident in the Limoni, Blu Limoni, and Rooster pieces, which have always been favorites among Emilia Ceramics customers.

Patrizio and Stefano started their business when they were 18 and 20 years old, respectively. At the time, their “studio” was a wood shed with a dirt floor in Capraia, a tiny village bordering Montelupo. When they outgrew that space, they moved to their current workshop in Montelupo, about 10 miles outside of Florence.

Patrizio is more of the flamboyant painter and Stefano does more of the intricate designs and lettering. My uncle met them in 1987 in their “studio” in Capraia and has been friends with them ever since. He nicknamed them the “Blues Brothers,” which they think is really funny.

In my opinion, small Italian workshops like Ceramiche d’Arte Tuscia and Ceramiche Bartoloni represent the best Italian ceramics and Tuscan pottery has to offer. In these close-knit, family-run studios, artists are not just reproducing traditional ceramic pieces; they are creating their own unique artwork in a style that their ancestors have spent 600 years perfecting.

I am thrilled to be returning to Italy this coming spring — partially because I miss the great pasta, wine, and cappuccinos so much — but mostly to immerse myself in the originality, vibrancy, and colorful creativity that personify fine Italian ceramics. I’ll visit Ceramiche d’Arte Tuscia and the Bartoloni brothers, hopefully discovering some new and hidden gems to add to the Tuscan pottery in my collection. But I will also seek out new, undiscovered Italian artists in other parts of the country. My hope is to diversify the Emilia Ceramics collection over time, adding the unique abilities and cultural influences of artists from Umbria, Sicily, and the Amalfi Coast. What are your favorite Italian ceramics and where do they originate? Leave us a comment below and let us know!

                   

Posted on

Customer Spotlight: Your Favorite Uses for Serving Trays

I know my favorite ways to use Italian blue and white ceramics (like a blue and white mug for my morning coffee), but it’s always great to hear from customers about ways they use ceramics in their daily lives. Recently people have let me know about the ways they entertain with their favorite pieces, from square serving trays to blue and white ceramic bowls, so I wanted to share some of their stories with you.

At the Brown house, family dinner often involves a mix of ceramics. They mix and match serving trays from Gorky Gonzalez for mains and sides (and dinner in this photo certainly looks delicious!). The rounded shape of this rectangular serving platter makes it perfect for vegetables or desserts alike while the sloped sides of the oval serving dish keep sauces nicely contained for your main course. Even with different designs, the blue and white ties these serving trays together for a stylish meal everyday.

“Sometimes bigger really is better,” Michael wrote about his fish platter by Richard Esteban. He went on to say that this oval serving tray “is great for summer salads when I have people over for a barbeque.” I think this salad looks super delicious with the one-of-a-kind decoration around the edge. Other large trays, like this unusually shaped mustard yellow serving tray by Poterie Ravel, are ideal for handling the fixings for burgers, tacos, or other customizable meals.

On Facebook, Sarah told her secret for throwing a great party: “a beautiful Italian platter with yummy cheese and crackers.” This technique works well for a wine and cheese party, casual get together, or special occasion like a birthday, anniversary or engagement celebration. Square serving trays by Ceramiche Bartoloni with their cheerful lemons or Italian blue and white ceramics decorated with fruit motifs are great ways to use Sarah’s tip. Compliment your cheese and crackers with Italian blue and white ceramic bowls like this one with cheerful lemons.

Many thanks to all of you who have written in about how you use your ceramics and posted pictures on Facebook. Want to share your favorite uses for rectangular serving platters, Italian blue and white ceramics, or salad bowls? Simply leave a comment below!

Posted on

Lemons + Ceramiche Bartoloni = Cheerful Italian Ceramics

The history behind Italian ceramics plays a big part in their allure. Patterns and techniques that have been handed down for generations make for handmade ceramics that really stand out, whether they were made last year or 100 years ago. But writing about Italian country décor recently has got me thinking about lemons in particular, a fruit that’s a hallmark of Italian ceramics.

The Limoni pattern by Ceramiche Bartoloni is a wonderful example of this Italian ceramic motif in action. There are two versions – one on a white background, the other on a deep blue – and both are cheerful and bright, no matter the size or shape of the piece. I’ve watched the Bartoloni brothers paint these Italian ceramics themselves, Patrizio with his flamboyant swirls and curves, Stefano a bit more focused on intricate detailing. The finished product has the power to brighten any room.

So how can you get some of the lemon Italian ceramics in your life? The mugs are a great way to start the day, managing to be decorative even when they’re drying in the dish rack. Another favorite is the Limoni pitcher. It looks fabulous with a bouquet of fresh flowers or holds 1 liter of water, juice, or wine. Rounding out the table décor for your kitchen or dining room are the salt and pepper shakers complete with a small tray for easy passing.

The Bartolonis don’t stop there, however. Kitchen counters and stovetops benefit from an Italian ceramic spoon rest, keeping everything clean when you make your signature spaghetti sauce. The Limoni wine bottle holders are also versatile Italian ceramics; use them as a utensil holder, a vase, or keep tonight’s wine chilled on the table.

Soap dishes add cheer to any sink, and serving trays and bowls complete the collection. These Italian ceramics are equally at home on the wall as decoration or on the table, serving a delicious meal.

Popular as gifts or just as a way to bring some sunshine into your home, these lemon patterned Italian ceramics are the perfect mix of beauty and utility. How do you use these or other Italian ceramics from Emilia Ceramics in your home décor? Send us a photo and you can get 15% off your next order!

Posted on

New Italian Soap Dish from Ceramiche Bartoloni

Do you get excited about Italian soap dishes? Have you ever even thought about Italian soap dishes? Believe it or not, these little ceramic pieces can be quite exciting. I wasn’t much of a fan myself before I visited Ceramiche Bartoloni on a buying trip years ago. The beauty of their hand-painted Italian soap dishes was astounding and the variety of shapes and sizes was a revelation. Practical and decorative, I found that these small accessories add big style throughout the home.

Our newest Italian soap dish at Emilia Ceramics is no exception. In the ever-popular blu limoni design, this square Italian soap dish is too pretty just to stay in the bathroom. It’s also perfect for holding sponges, hand soap, or other cleaning supplies by the kitchen sink. More alternate uses for this Italian soap dish include using it as a small serving dish; it holds lime and lemon slices for drinks or taco night, olives or nuts for appetizers, and any other garnishes for your meal. I’ve also seen these Italian soap dishes used to organize rings, as a place for depositing keys, or even as a stylish spot to store a cellphone.

With so many uses for this small piece, an Italian soap dish is the perfect go-to hostess, housewarming, or birthday gift. Pair this square Italian soap dish or one of the round ones with a luxurious bar of soap and voilà! The vivid blue, yellow, and green of the blu limoni pattern works in both modern or traditional spaces, making this Italian soap dish truly versatile in both usages and design aesthetics. Who knew that soap dishes could look this good and do so much?

Stay tuned for more new ceramic arrivals on the website in coming weeks as I get through sorting all the new pieces arriving from Mexico. Check out our Facebook and Pinterest pages for photos and updates as they happen.

Posted on

The Italian Legend of the Black Rooster

I hadn’t been importing ceramics for long when I got what seemed like a strange request: Do you sell any black roosters?! The answer was no. I had colorful Italian roosters on plates, mugs, bowls, and pitchers, as well as tons of  blue and white roosters decorating Mexican pottery, but not one “black rooster” in the collection. While I was a little thrown off by the request for a black rooster, I did have a faint memory of a story related to the black rooster from when a friend and I tasted our way through the beautiful Chianti wine region.

It wasn’t until a few months ago that I realized Ceramiche Bartoloni paints the black rooster. I was ecstatic, both because of the Bartoloni brothers’ unmatched painting skill and because I’d finally have a black rooster for the Emilia Ceramics collection. After all, we’re not talking about any old Vietri pottery rooster, this is a proud black rooster with a story and tons of personality.

And the new black rooster plates from Ceramiche Bartoloni did not disappoint: The dynamic blue, white, and yellow border perfectly frames a proud black rooster getting ready to crow. It’s also the perfect counterpoint to Bartoloni’s colorful rooster ceramic serving platters, bowls, and mugs.

And now to the story about the black rooster, which goes back to the 1200s in Italy. Florence and Siena had debated for years over who had claim to the Chianti region, each wanting it as part of their territory. Finally, the legend goes, leaders decided to settle the matter by a competition. Two knights (or horsemen, depending on your source) would set out at cock’s crow in the morning, one from Florence and one from Siena. Wherever they met on the road would determine the southern border for each city’s claim over the disputed land.

Siena chose a well-fed white rooster as official timekeeper, while Florence picked a starving black rooster. Again, sources differ as to why the black rooster was starving; the Florentines might even have kept it in a box with no food for several days. In any case, when the day of big event came, the black rooster crowed before dawn while the white rooster slept in and only crowed at sunrise. Thus, the Florentine rider traveled much farther than his Sienese counterpart, and the two men met about 19 or 20 km outside of Siena, giving most of the Chianti region to Florence.

Whether or not this legend is true, the black rooster was branded in 1384 as the emblem for the winemaking League of Chianti and is an important and common symbol for the region. The next time you get a bottle of Chianti, look for the black rooster (gallo nero in Italian) on the seal around the neck of the bottle. Different background colors and borders also represent different kinds of wines, says Wine Trail Traveler.

Complete with a legend, I’m excited to offer these new rooster ceramics. Whether you use them as ceramic serving platters or as a unique wall decoration, these black rooster plates are perfect for anyone who loves rooster chic with handmade Italian charm.

Rooster wine bottle label image courtesy of Live from Italy.

Posted on

Emilia Ceramics at Gamble Garden in Palo Alto

It’s a good thing it was beautiful weather, filled with friends, and fairly successful from a business stand-point, because showcasing Emilia Ceramics at the Gamble Garden Spring Tour in Palo Alto was A LOT OF WORK! I’m talking 6 hours of set-up and another 6 hours of take-down, plus an hour each night and morning. (And not just me working all that time, but some amazing volunteers too — thanks Mom!)

Then of course there’s all the time spent selling ceramics: 5-8 on Thursday, 10-4 both Friday and Saturday. But that’s the fun part — I love showing off the beautiful vases, pitchers and bowls I’ve spent so much time collecting around the world. And getting to tell customers about the artists, the towns where they live, and my travels to pick them out. The kind of people who attend the Gamble Garden Spring Tour really appreciate the unique beauty of handmade and hand-painted ceramics. They are well-traveled and creative themselves, so they enjoy the fact that Emilia Ceramics represents independent artists in Italy, France and Mexico, crafting the highest quality ceramic ware.

The weekend was also a great way to catch up with old friends (since I grew up in Palo Alto) and make new ones, like the two women who run Art of the Garden. Their set-up was adjacent to Emilia Ceramics and it afforded us a lot of time to talk about the ups and downs of starting your own company. We traded ceramics for an “M Brace” (their patented product that enables you to build a flower bed without using any nails or hammers). Jill, who invented the M Brace, quickly fell in love with the few Sylvie pieces I have left in the collection and bought two Sylvie bowls for her daughter.

Over all, I’d say the big winner of the weekend was Richard Esteban — his rustic pitchers, cheese plates, and planters were a huge hit. I also sold lots of small, gifty items, like chicken salt and pepper shakers (never a surprise), Gorky’s long serving platters, and wine corks by Tuscia. I had to say good-bye to some of my personal favorites by Sylvie, Richard, and Ravel last weekend (because I sold them I mean) — which can seem sad until I remember they’ve just moved on to grace a new home and bring joy to those who use and love them.

So I guess it was worth the work… just as long as I don’t have to do it again for another 12 months!

Posted on

Italian Soap Dish Love

What’s something you use multiple times everyday but gets little attention? Give up? Your soap dish! Sure you won’t find a lot of people talking about the glory of Italian soap dishes, but today I wanted to focus on this overlooked essential. Wherever you have a sink, you probably have some soap – why not make it more visually interesting?

I’ll admit that I’d not thought much about Italian soap dishes before I visited Ceramiche Bartoloni. But their beautiful pieces definitely made me pay attention. The circles, squares, and rectangles stand out – these aren’t mundane soap dishes at all, they’re works of art! Since then, I’ve discovered that their uses go beyond the bathroom counter. One alternative use for these Italian soap dishes is to hold jewelry on a bedside table or dresser. Definitely makes it easier to find your watch and rings in the morning.

I’ve also used an Italian soap dish for serving small condiments, like lemon slices to go with drinks or chopped herbs for garnish. The cheerful lemon designs hand-painted on these Ceramiche Bartoloni pieces really brighten any space, from dining room to buffet table.

Of course, traditionally one uses an Italian soap dish for just that – soap. Everyone has their favorites, from plain unscented bars to handcrafted wonders of texture and perfume. One of my aunts always has a bar of Yardley English lavender soap in her guest bathroom; whenever I smell it I think of her. Shaped soaps can also be fun, though they’re never as pretty when they’ve been used a few times.

Whatever your soap bar preference, it’s important that your dish be roomy enough for the entire bar. Sloping inward sides prevent water from getting everywhere (keeping counters dry). An Italian soap dish can be the perfect accent in a cheerful bathroom or a place to keep sponges and hand soap (less harsh than dish soap) in the kitchen.

Another idea? Pair an Italian soap dish with elegant soap for a practical and stylish gift that’s unexpected. With all these possibilities for using Italian soap dishes, it’s a wonder we don’t talk about them more.

Do you have another way you use soap dishes? Or a favorite soap to give as a gift? Post a comment below and let us know.

Posted on

Blue and White Rooster Plates: Beyond Function and Decoration

When it comes to decorative plates, the sky is the limit in terms of designs. Animals, fruits, flowers, and abstract designs, as well as ornate or simple patterns – I’ve seen them all and appreciate the creativity and skill that goes into each one. Some of the most successful that I’ve seen combine multiple themes, say blue and white along with roosters. On a plate. That can hang on your wall. Or be used to serve and enjoy meals. Talk about multitasking!

When it comes to decorating in a specific theme, committed collectors show just how much of a certain theme exists out there. I was amazed that the fine folks at Cock-a-Doodle Café in downtown Oakland could find all those different rooster pieces. It’s obviously a labor of love. Recently, thanks to the Internet, I found an incredible Henriot Quimper blue and white rooster plate that’s actually more like a basket. The design is playful, simple, and almost childlike but becomes more sophisticated with the ornate branch detailing and scalloped edging. It’s a quirky piece from the 1960s, but it got me wondering – what other kinds of blue and white rooster plates are out there? Is this a niche that I’ve overlooked in all my rooster love?

The joys of Etsy are myriad and their rooster selection is quite eclectic. Decorative plates abound from incredibly detailed to free-form designs that vaguely look like fowl. There are full color plates, red rooster plates, blue and white rooster plates, plates that are actually shaped like roosters (or rooster heads), and even a clever rooster plate meant to hold deviled eggs. That’s what I call a specialized piece!

The personality behind some of these truly unique rooster plates reminds me of the ceramics by Gorky Gonzalez. The blue and white rooster is proud in its octagonal serving dish; it seems almost a shame to cover him with salad or another delicious main dish. My customers also love the companion blue and white rooster bowl as wall decoration, adding rustic charm to the kitchen.

But for those who like ceramic wall plates with more color, look no further than the playful little rooster plate by Ceramiche Bartoloni. These rainbow-tailed roosters are bright and cheerful, adding an authentic Italian charm to the table or wall.  The colorful Gorky rooster bowl also looks great displayed upright in a shelf or while serving a fun Mexican-inspired meal.

No matter your preference, when it comes to the decorative plate, here’s to finding the pieces that fit exactly what you’re looking for, whether that means roosters or some other animal-themed ceramic wall plate. What plate, bowl or mug theme are you currently on the hunt for? Comment below with your favorite design themes.

Posted on

We’re into Blue! Are You?

What’s the most popular color in the world? A recent post on Apartment Therapy describes a survey conducted by Dulux paints to learn what colors people love and hate. The big winner? You guessed it: Blue, followed by red and green.

But what’s better than just blue? Blue and white of course! This color combination continues to be one of my favorites, perfect for an entire room or just accent pieces. We know that it’s a classic pairing, in part because there’s so much versatility. For example, just look at these gorgeous pieces of blue and white Italian pottery.

  • Lamps. Now your blue and white Italian pottery can literally illuminate your room. This Blue Leaf Lamp works wonderfully with both traditional and contemporary décor. The playful movement and subtle accents of green and yellow are great compliments to the predominantly blue and white glaze. A smaller version of this lamp works for a bedside table or creates soft lighting in a hallway. Looking for a more subtle blue and white Italian pottery lamp? With delicate tracery, the Rouen Blu Lamp is both elegant and understated.

  • Vases. For me, the best vases are ones that look beautiful both empty and with flowers. I love the Blue Leaf Vase for a great example of blue and white Italian pottery that always looks fantastic. The handles invoke classical amphora, but the style is definitely perfect for a contemporary home with textured layered glaze and shading.
  • Mugs. What could be a more practical and stylish example of blue and white Italian pottery? Whether it’s your first or eighth cup of coffee (or tea), it’ll be extra delicious coming out of a handcrafted mug like this one by Ceramiche Bartoloni. Mix and match blue and white mugs with other color combinations for diversity or choose a matched set, whatever fits your style.
  • Bowls. I can’t resist the charm of a rustic bowl like this one by Patrice Voelkel. The functional shape is perfect for salads, mixing, or even as a fruit bowl. Or opt for one of Gorky Gonzalez’s inspired blue and white bowls — great for bringing elegance and sophisticated charm to any table setting.

Posted on

Handmade Italian Ceramics: How to Shop Smart

I talk a lot about my love of handmade Italian ceramics, but let’s take a look at the alternatives. There are many stores and sites that sell “Italian ceramics” – but are they really what they claim to be? What should you be aware of when looking for stores that sell Italian ceramics? And what are really the differences between hand painted Italian ceramics and manufactured ones?

The alternative to handmade Italian ceramics (or handmade ceramics of any kind) is ubiquitous, impersonal mass produced home decor. I came across “Deruta-Style” dishware like this the other day at Sur la Table. Sure, the plates don’t claim to be handmade Italian ceramics, simply “inspired by” the region. It makes me think of the arguments made against buying counterfeited designer goods. Companies (and in the case of ceramics, small family-run businesses) work hard to build up their reputation and create unique products of the highest quality. When those ideas are stolen, sold at a fraction of the price, and with a fraction of the quality, not only do the businesses suffer, but consumers do as well, explains a recent opinion piece in the Times & Transcript.

In a way Sur la Table is selling knockoffs of a style that artists have made famous through a tradition of craftsmanship for generations. And they’re not alone when it comes to stores that sell Italian ceramics – many will make claims that pieces are made in Italy for the cachet when they clearly came from elsewhere.

But when you’re investing in the beauty of true Italian handcrafted ceramics, how can you spot a fake? Just like leather handbags or designer shoes, there are lots of them out there! Here are some tips for shopping at stores that sell Italian ceramics to make sure you get what you really want.

  • Flip it over. All authentic ceramics should have some mark of origin on the bottom. There are guides to these marks for antiques, but anything that’s genuine handmade Italian ceramic will have something there. And beyond just stating the country, hand-painted ceramics is usually signed by the artist.
    Clearly made in Japan, not Italy.
  • Touch test. Along with a mark, the bottom or foot of the piece should be unglazed if its authentic Italian handcrafted ceramic. This will look like a ring of rough, unglazed clay with a brown-orange color to it. You should feel the glaze as well for the natural variations that occur.
  • Brushstrokes.
    From 16th century Italy; can you see the brushstrokes?

    This along with crazing is another true test of hand painted Italian ceramics. If a pattern looks a little too perfect, it probably was manufactured on a machine. There’ll be some variations in color and pattern too.

    Modern piece by Tuscia d'Arte; look at the brushstrokes here as well.
  • Know your source. If pieces are legitimately hand painted Italian ceramics, the seller should know something about the people that make them. I am always shocked when a shop owner knows nothing about the artists behind the work. It’s a pretty good bet that if a shop stocks generic “Italian ceramics” it’s probably coming from a large factory on Italian soil or, as I mentioned earlier, is merely “Italian inspired.” This is one of the reasons I frequently visit my artists in person; I see the entire process in motion and love to share photos and stories about the artists with my customers. Aside from traveling to Italy and buying directly from the artists (which I definitely recommend), it is the best way to buy with confidence that they are 100% handmade Italian ceramics.

Ceramic mark image courtesy of Grannies Kitchen.

16th century jar image courtesy of F B.

Posted on

Function’s nice, but how ’bout some originality?

We talk a lot about a ceramic piece’s function: How a platter is perfect for appetizers or a vase is great for displaying cut flowers. But we all know there are millions of serving platters and ceramic vases that function well. Thanks to Ikea and Target, we can buy functional ceramic pieces for less than 10 bucks! And at Williams-Sonoma and Sur La Table, we can get Italian-like ceramics for less than $50. So why spend $185 on Tuscia’s Oval Serving Platter with Lemons or $110 for Vazquez’s Large Paloma Vase? Sure they function well, but the real reason we love them is their originality.

When a piece of ceramics is handmade and hand-painted, it is intrinsically unique. It is one of a kind because a human hand crafted it and a human hand applied the glaze… not to mention the fact that a very imperfect firing process was also involved! All this to say that even if the same artist tries to recreate the same piece it will undoubtedly look different. Of course, pieces made simultaneously look the most similar, that’s why I encourage customers who want a whole set to special order it at the same time.

To some, these inconsistencies might seem inconvenient. But as far as I’m concerned, I wouldn’t want it any other way! I love that the artists I work with put their own human touch into each piece. Sure some days their lemons are larger or more ripe-looking than others. Some mugs have thin handles, while others are more thick. But isn’t that the fun of it all?! Knowing that when you pick out a particular plate or fall in love with a pitcher, you’ll be the only one in the world to have that plate or that pitcher? It’s a one of a kind… a complete original. The artist made it with love and now it’s on your table or serving appetizers at your party. That one piece is special and that’s what gives it value. Sure it also serves it’s function perfectly. But as appose to the platter that came off a factory line, it’s got just as much personality at it does functionality.

A great example is one of my favorite pieces by Ceramiche Bartoloni, the Foglia e Frutta Footed Platter with Angel (left). I have ordered this platter from the Bartoloni brothers many times and each one they send me is different: Sometimes the little angel has fruits in his hands, other times he has a musical instrument, a flower or a leaf. Each platter has its own personality and tells its own story, just as an original work of art should.

Posted on

Maiolica… or is that Majolica?! Three Historical Centers of Italian Hand Painted Ceramics

Is there a difference between Maiolica and Majolica? It’s a good question and the answer is, kind of. Both words describe the double-firing technique most often associated with hand painted ceramics from Italy. I’ve talked about the history of Majolica before and how this labor-intensive process moved across the world, its patterns and designs evolving from geometric shapes to elaborate images of people and animals. The result is the diverse collection of Mexican, French, Spanish, and Italian hand painted ceramics we know today. (As a side note, Faience, Delftware from Holland, and Staffordshire ware from England are all descendants of Majolica too.)

So back to the question about Maiolica versus Majolica… It turns out that Majolica is just the English version of the Italian Maiolica, though sometimes older and/or finer wares are referred to as Maiolica in English. Confused yet? Think of it this way: either term refers to hand painted Italian ceramics, probably from one of the three epicenters of production in Italy.

  • Faenza. Historically important, it’s no wonder that the International Museum of Ceramics in Faenza makes its home here. A leading city for ceramics from medieval times onward, Faenza was a natural crossroads for the Po valley and Tuscany as well as blessed by rich clay sources in the soil. The Renaissance was when things really got going for these Italian hand painted ceramics. Pieces were described as “faenza-faience,” expressing the elegant and complex style. I saw some marvelous ceramics when I visited the museum, like this one in their Italian-only newsletter. Padovani ceramics continues the long-standing techniques of these Italian hand painted ceramics; their decoration and motif timeline and complex, limited production creations are truly inspiring. These high-end plates take over 10 hours (one even 48 hours!), but the results are magnificent.
  • Deruta. If Faenza became known for its aristocratic style, Deruta is all about manufacture for popular demand. This is the region where lots of “typical” Italian hand painted ceramics come from; its central location in Umbria probably contributes to its ubiquity. Blue, yellow and orange are popular colors, along with strong geometric designs. Even Sur la Table has a “Deruta-style” line of dishes, though they’re obviously not hand made. When I was in Deruta, I met the owner of Geribi Deruta, a great artist that I’m hoping to work with in the future. His collection is definitely worth looking at if you’re interested in seeing more of this style of hand painted ceramics from Italy.
  • Montelupo Fiorentino. Outside of Florence in Tuscany, this is another historically important ceramics center. Florentine merchants helped popularize this Tuscan-influenced ware from the Renaissance onwards, while lots of high quality clay meant production could keep up with demand. This is where I get hand painted ceramics from Italy for the Emilia Ceramics collection; Ceramiche Bartoloni and Tuscia d’Arte both follow the traditions of the area while adding a personal and modern flair. The Museum of Montelupo has a great variety of tours (if you go there) as well as a helpful timeline about this region’s proud tradition of Majolica ceramics.

Deruta ceramics image courtesy of Zyance.

Posted on

Ceramiche Bartoloni

Patrizio and Stefano Bartoloni
Brothers Patrizio and Stefano Bartoloni in front of their workshop

Brothers Patrizio and Stefano Bartoloni started their ceramics business when they were 18 and 20 years old. At the time, their “studio” was a wood shed with a dirt floor in Capraia, a tiny village bordering Montelupo. When they outgrew that space, they moved to their current workshop in Montelupo, about 10 miles outside of Florence.

Patrizio is more of the flamboyant painter and Stefano does more of the intricate designs and lettering. My uncle met them in 1987 in their “studio” in Capraia and has been friends with them ever since. He nicknamed them the “Blues Brothers,” which they think is really funny.

Below is an old photo of the Bartoloni brothers and their father. Their parents have always worked with them and their dad still does some of the painting. Over the years they’ve hired a few other people to help run the business, but the Bartolonis still do all the artwork themselves.
Bartoloni Brothers With Their Dad
Bartoloni Brothers With Their Dad
The Bartolonis are located in Montelupo, which is a short train ride from Florence. Montelupo became became famous for their ceramics beginning in the 13th century, when Moorish traders traveling to Florence along the old Roman road, passed right through Montelupo with ceramic wares from Spain. Then, during the Renaissance, artisans in Montelupo began elaborating on the ceramic designs, adding realistic imagery and brighter colors – transforming it into the high art form it is today.
I’m including a few photos and links of my favorite Bartoloni pieces.  These are truly works of art – but art that was created to be used and enjoyed.  I love imagining how each of these pieces began as a piece of clay on a wheel in the Bartoloni studio… was handcrafted by this family with love and artistic passion… then painted following their traditional techniques… and finally, after a long trip, arrived here in the US, to be appreciated and used by a new family.  Nothing makes me happier than finding loving homes for these beautiful pieces.  Hope you like them!

Jessica Vases
Jessica Vases
Limoni Pitcher
The Limoni design is by far the most popular in my Bartoloni collection
Rooster Casserole Dish
Roosters are popular among Majolica designs in general, but I think the Bartolonis do them best!
Frutta Venezia Canisters
Frutta Venezia Canisters